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Tōyō Miyatake (宮武東洋,〔''Biographic Dictionary of Japanese Photography'' also gives 宮武東洋男, but does not give the reading of this, or say which was registered as his legal name.〕 ''Miyatake Tōyō''; 1895–1979) was a Japanese American photographer, best known for his photographs documenting the Japanese American people and the Japanese American internment at Manzanar during World War II. == Life == Miyatake was born in Kagawa, Shikoku in Japan in 1895. In 1909 he migrated to the United States to join his father. He settled in the Little Tokyo section of Los Angeles, California. With an interest in arts — most notably photography, which he studied under Harry K. Shigeta〔''Biographic Dictionary of Japanese Photography.''〕 — Miyatake began associating with the local arts community. In 1923 he bought his photo studio. Miyatake encouraged fellow photographer Edward Weston to exhibit his work and Miyatake is credited as giving Weston his first gallery showing.〔Judith Fryer Davidov, Women's Camera Work: Self/body/other in American Visual Culture (Duke Univ. Press, 1998), p. 465〕 At the time Miyatake met his future wife, his brother was courting her. He began spending time with Hiro under the guise that he was using her as a model. His brother was crushed; it is said that he "died of a broken heart" at an early age. Before World War II, Miyatake's photography won awards as he photographed various personalities. During World War II Miyatake was interned at Manzanar relocation camp in the Owens Valley. He smuggled a camera lens into the camp and constructed a camera body from wood. The pictures he secretly took at the camp are among the relatively few that show the plight of the U.S. citizen inmates. After the war, the family returned to Los Angeles, where their home had been entrusted to some of their white friends during the internment. Unlike many families who lost their homes, the Miyatakes were able to resume their life and provide shelter to a few less fortunate internees and their families. In post-war Little Tokyo, many residents were unable to afford Miyatake's services and some opted instead to barter goods to have him photograph weddings and portraits. With his wife Hiro running the front office, she once negotiated his services for a Steinway piano and another time, she negotiated for a litter of poodles. After the death of his wife, Hiro, in 1971, Miyatake moved from his home on Third Street in East Los Angeles to live in neighboring Monterey Park with his daughter and her family. He remained active in the studio throughout this period. In the early morning, Miyatake could be seen walking around Monterey Highlands Elementary School for exercise. The last image he captured on film was taken at this park. The film was discovered and processed after his death. Before his death in 1979, Miyatake and Ansel Adams produced a book, ''Two Views of Manzanar,'' a compilation of their photographs during the internment. Miyatake's cremated remains are buried at Evergreen Cemetery in Boyle Heights; a portion of his remains are stored in the Koyasan Buddhist Temple in Little Tokyo. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Tōyō Miyatake」の詳細全文を読む スポンサード リンク
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